CADASTRES OF TRANSIENT SPACES. NO FUTURE HERE.
Since 2024
Program
April 10, 2024, Kino Šiška - Komuna
Moderator: Pia Brezavšček
Participant: Jasmina Založnik
Organizers: Maska Ljubljana in Nomad Dance Academy Slovenija v sodelovanju s Kinom Šiška
May 7, 2024 at 18:00, Kino Šiška – Komuna
Roundtable
Moderator: Rok Vevar
Participants: Nika Grabar, Simon Kardum, Miloš Kosec, Eva Matjaž
Organizers: Maska Ljubljana in Nomad Dance Academy Slovenija v sodelovanju s Kinom Šiška
September 16, 2024 at 18:00, Kino Šiška – Komuna
Assembly – Our Thing I
Moderator: Pia Brezavšček
Participants: Teja Reba, Alma R. Selimović, Dejan Srhoj and Tomaž Zaniuk
Organizers: Maska Ljubljana and Nomad Dance Academy Slovenia in collaboration with Kino Šiška
April 7, 2025 at 18:00, Kino Šiška – Komuna
Assembly – Our Thing II
Moderator: Teja Reba
Participants: Barbara Poček, Tibor Mihelič Syed, Mare Bulc, Urška Centa, Mateja Bučar, Bojana Robinson, Kristýna Peldová, Dejan Srhoj, Alma R. Selimović
Organizers: Maska Ljubljana and Nomad Dance Academy Slovenia in collaboration with Kino Šiška
October 14, 2025 at 19:00, Kino Šiška – Komuna
Assembly – Our Thing III
Moderators: Alja Lobnik (Maska Ljubljana) and Tibor Mihelič Syed (Kino Šiška)
Participants: Jure Novak (Cankarjev dom), Rok Bozovičar (Prešeren Theatre Kranj), Meta Lavrič (EnKnap, Španski borci), Inga Remeta (Slovene Youth Theatre), Uroš Veber (Asociacija), Teja Reba (DSPS Contemporary Dance Association), Olja Grubić, Beno Novak, Sara Janašković
Organizers: Maska Ljubljana, Nomad Dance Academy Slovenia, and Kino Šiška
March 11, 2026 at 18:00, kino Šiška - komuna
Assembly – Our Thing IV
Moderators: Tibor Mihelič Syed, Dragana Alfirević
Organizers: Maska Ljubljana, Nomad Dance Academy Slovenia, and Kino Šiška
In order to dedicate some shared time to urgent reflections on public space, we decided, together with Kino Šiška, to organize a series of discussions on the spatial issues of cultural and artistic production. These discussions gradually began to transform into working assemblies, where cultural workers from the independent sector began engaging in dialogue with representatives of institutions about the symbiotic shared use of public cultural infrastructure.